The poet and the infinite

Authors who throughout their careers have remained faithful to a style and continue to refine it, invigorate the respect of film lovers, especially when their works go against the current in that they are strangers to time and trends and point to what they no longer do. Terence Davies, director of “Distant Voices,” “The House of Joy,” “The Deep Blue Sea,” “Sunset Song,” and “Story of a Passion,” evokes these sensations withBenediction’, a film about the life and inner state of British poet Siegfried Sassoon. An autobiographical film, in keeping with the profile described, seems bereft of any trace of a recurring formula. With substance and classic forms, slow paced presentation (not to be confused with boredom) and dramatic undertones, it shows the impact of World War I on the character (the horror he set himself against), the expression of his homosexuality and homosexuality. Friendships and relationships .. in his high socio-cultural circle, the exit he took by marrying a woman and his grief in the autumn ripeness. that it One of those works whose dialogues I savored, wonderful for their sophistication and for all they offer, and for their wonderful interpretations, With Jack Lowden in the lead.

In the first narrative phase, force-laden passages of war documentary images resonate as Sassoon reads fragments of his pieces, as well as his conversations with his treating physician. In the second Davis that participated in the environment in which the protagonist moved, it was a bourgeois environment filled with narcissism, neglect, promiscuity, and jealousy. And in the third stage of the story, where Peter Capaldi’s contribution attracts attention, the gaze is inseparable from the decision he makes. some Beautiful phrases associated with the intense emotional journey of the wonderful conclusion, Caught on the face of Loden and the ones that are still engraved.