Verdi in her splendor | Music

Nicolas Luissotti, in her artistic complicity and perfect symbiosis with the ductile orchestra in the Teatro Real, repeats her mastery of the composition of the great composer

• fashion Queen Letizia and the unexpected neckline on the back that shocks the Royal Theater

Giuseppe Verdi Here you reach the dramatic and musical pinnacle of a style that has done nothing but develop a very complex and coherent theme based on issues of capital such as power, homeland, paternity, and loving passion that is always influenced by power, homeland, and fatherhood. The meticulous text masterfully synthesizes and harmonizes the turmoil of the soul with the conflict of war through a core quartet of tragic characters who are classified as not difficult to identify.

Revert version Hugh An Where it is said that the manufacturer. Who extends the direction of the theater with the design of the scene and costumes, he found in this opera the perfect material to reveal his imagination, a symbiosis between theatrical and theatrical performance which is reflected in a strong show polished with new touches and additions; This time with a suggestive projections contest.

Nicolas Louisottiin artistic complicity as well as complete coexistence with the ductile orchestra of royal theater, He repeats his mastery in the composition of the great composer, a slightly cloudy aesthetic feat with a certain tendency to thunder at certain moments, as that attentive spectator notes.

Aida, Amneris, Amonasro, and Radames, soprano, mezzo, baritone, and tenor, belong to the most powerful and powerful of the Verdi dynasty, with a peculiarity: their impassioned stem, expressed in vocal demands and theatrical presence, a double difficulty with which the first half meets. Aida Krasimira Stoyanova Exhibiting all the power and depth of the soprano role apart from the fragile Leonora of the past, Amneris (Jimmy Barton) is very gentle and her miso voice doesn’t impose itself on the sopranos. Radamis is full of life Pewter Piczala Sometimes reminds us of a lot of horror AlvaroAnd, terrible father, Amonasru is a little horrible in a voice Carlos Alvarez. Kemphis Diane Vachkoff is a feisty and ruthless high priest.

All in all, a pleasant evening of opera, presided over Their Majesties Kings. with a satisfied audience; The job, as well as something more secret and imperceptible floating in the environment, was endowed with a strange sympathy between the audience and its stage, something which was not hard to appreciate on Monday night when the warmth of autumn finally left something damp