April 26, 2024

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Venezuela with dollars has opened the door to concerts again

Venezuela with dollars has opened the door to concerts again

First Amendment:

Caracas (AFP) – Applause and loud choruses are heard in the parking lot of the Caracas shopping center: Murat, El Divo, Alejandro Fernandez … International artists return to the platforms of Venezuela favored by de facto dollarization.

Thousands are dancing, jumping and singing cheerful songs live on air, something that has been on hiatus for years as a result of the complex economic crisis that intensified in 2016 and seemed endless.

The resounding decline in economic activity has almost completely destroyed the country’s entertainment industry, which today, after more than five years and loosening of controls in the exchange system, is seeking to resurface.

Billboards in Caracas are now running promotions for plays and concerts, which sell out quickly and often lead to new shows to meet demand.

“The issue of returning to production in Venezuela is given by currency, Venezuelan dollars are under the table, and the government had to accept dollarization,” Frederic Melendez of production company AGTE Live told AFP, who, among others, brought up the issue of returning to production in Venezuela. Colombian band Murat.

Previously, you had to “pay in bolivars and go to the black market for a change” because the formal system was hard to come by, Melendez adds.

In the middle of last year the country began to feel a revival of 6% of the economy, after a collapse of 80% in recent years. The effects are small, but they are noticeable, and consultants estimate that growth will continue.

And the dollarization of wages allows many to pay for tickets that usually cost between $30 and $500.

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The average minimum wage in the private sector is around $150, generally paid in foreign currency, while in the public sector it was set in March at around 25, at the current exchange rate, after an increase of 1,700% by decision of the government.

‘Ethical issue’

Venezuela, which came to export singers and set the standard in developing performances, has not received international artists since 2016 and some of them have been severely criticized for their performance in the midst of the economic crisis and the complex political situation.

Colombian Maluma, for example, was convicted that year for singing at a free event sponsored by President Nicolas Maduro’s government.

“International artists saw it and it was like ‘How are we going to celebrate in the middle of a crisis?'” says the producer. No one wanted to attend. “In the end they started to deny the possibility of going to Venezuela for a moral cause.”

AGTE Live Producer Frederic Melendez, on April 15, 2022 in his studio in Miami Chandan Khanna Agence France-Presse

Between 2016 and 2020, Venezuela was mired in widespread shortages, including food, medicine and fuel, mixed with anti-government protests and political tensions, then restrictions due to the COVID-19 pandemic.

Ariane Prieto, 23, waits excitedly in line to enter the concert of St. Louis, the patriotic duo composed for Marc Anthony or Christina Aguilera.

He doesn’t remember the last time he went to the show. “I was a minor,” he says.

“That’s really what Caracas and Venezuela are missing…People are really missing out on.”

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The duo’s two shows in Caracas closed in full, like most concerts this year: from Mexican Alejandro Fernandez to Venezuelan duo Servando and Florentino, who ended up opening a third show.

Murat was visible. The Colombian band had never visited Venezuela, and in just two hours the fans collapsed at the site where the tickets were sold, while the waiting time for purchases at the box office was up to 10 hours.

“It exceeded expectations,” says Melendez, of AGTE LIVE.

Mexican band Camila and Sean Bandera also sold tickets for their June 15 concert within two days, including those in the VIP area, which had boxes of 10 people at a cost of $5,000, a figure that drew heavy criticism.

Attendees defend the celebration of these events. “I had to make an effort specifically to be them too and I said ‘Now it’s time and it’s worth it,’” says Angie Mora, a fan of Il Divo, who has not been to Venezuela in 13 years.

Fans of Venezuelan band San Luis record with their mobile phones during a concert at the Teresa Carreno Theater in Caracas on May 1, 2022.
Fans of Venezuelan band San Luis record with their mobile phones during a concert at the Teresa Carreno Theater in Caracas on May 1, 2022. Federico Barra, AFP

The new “boom” of concerts in Venezuela has begun in flight. The government is also touting events and on state television the return of these shows is being lauded, though not to dwell on prices or payment methods.

In fact, from June 11-15 they organize a festival of salsa, Maduro’s favorite genre, which will feature “friends” artists such as Maelo Ruíz and lex De Castro.

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